I am relatively fond of the Filipino culture for some good reasons. Primarily because it is mine and I have spent all my life immersed in it. Secondly, because it is the culture that has produced a lot of interesting ethnic characteristics, historical events and social phenomenon that can baffle even the most toughened travelers and zealous cultural dabblers. The Philippines is not difficult to love: we have wonderful cuisine, abundant natural resources, numerous and astounding scenic spots, and beautiful and hospitable people. There is one thing though that I do not always hold in favor of--an aspect of current, popular media: Local television programming.
If one needs to be specific on the matter, my pet peeve in local programming is the ubiquitous telenovela/teleseryes that parade across the screens come lunch time up to primetime. In hindsight, though, I have not always harbored dislike for them. I do remember liking a few (i.e. Isabel, Agila, etc. back in the late 80s or early 90s). But those seem to have come from a totally different era. As Mano Figueras puts it: “Soap operas in the Philippines have gone from true-blue baduy to true-blue Mexican to true-blue powerhouse productions” (2002, p. 68).
Figuera (2002), in his article “The Road to Sudsville,” articulates a skeptical view of teleseryes or telenovelas as legitimate media. The author is doubtful of the purpose of telenovelas as educational or as something that can improve the lives of Filipinos who watch them. In the end he concludes that most telenovela viewers merely patronize these shows to escape from their daily travails or to fulfill a fantasy (p. 68).
Perhaps a few of aspect of local telenovelas that I find most disconcerting are the ones mentioned in a personal essay entitled “Television Torture by Telenovelas” (2009). I agree that sickening melodrama generated by torturous minutes of the camera unnecessarily focused on an amateur starlet’s weeping face, and the stereotypical, double-standard roles that women and men occupy in these shows, render local telenovelas unprogressive (Zytryxx). That is, if progress is measured by the level of mental maturity, capability for critical thinking and the capacity for creativity that products of media can lend to its viewers.
Sadly, so far, I do not see this as a quality of Filipino telenovelas.
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References:
1. Figueras, M. (October 2002). The Road to Sudsville. FLIP: A Official Guide to World Domination (vol. 2 no. 1), p. 68.
2. Zytrexx (July 1, 2009). Television Torture by Telenovelas. October 5, 2010. http://zytrexx.multiply.com/journal/item/256
